JIM BLACKSTONE came to liturgical art with a background as an ordained minister in the Church of England and a teacher or chaplain in primary, secondary, and tertiary education. He has also undertaken doctoral research at the University of Cambridge, later published in book form, on Gregory Palamas and his contemplative approach to theology.

The three elements of public ministry, education, and research assist Jim in his artistic practice at the Chichester Workshop, carried out in day-to-day collaboration with Martin. Jim shares with Aidan and Canon Dr Daniel Inman a commitment to wider communication of the Workshop’s principles and practices through teaching, talks, and the development of educational resources.

Jim’s recent commissions include a mosaic for Chichester Cathedral and a panel icon for St David’s Cathedral; see more at www.dunstanicons.com

AIDAN HART is a member of the Orthodox Church and has been a professional liturgical artist for forty years. He works in a range of traditional media, from panel painting, fresco, and mosaic to stone and wood carving. Aidan is also a design consultant for church interiors.

Although primarily a maker, Aidan is passionate about training others. In 2009 he founded and still teaches the Icon Certificate programme for The Prince’s Foundation School of Traditional Arts. He is the author of three books: Techniques of Icon and Wall Painting; Spirit Beauty Matter; and Festal Icons: History and Meaning.

Working from his studio in Shrewsbury, Aidan’s particular focus within the Chichester Workshop is the development of training programs for clergy and seminarians, as well as for the general public. Part of this work is the production of podcasts. See more at www.aidanharticons.com.

CANON DR DANIEL INMAN, Associate Vicar at St Luke’s and Christ Church, Chelsea, was before this Canon Precentor at Chichester Cathedral and was instrumental in setting up the Chichester Workshop. Daniel continues in the Chichester Workshop’s task of wider theological engagement.He was also formerly a Chaplain and Research Fellow at The Queen’s College, Oxford.

He is the author of The Making of Modern English Theology (Minneapolis, 2014) and has been Editor-in-Chief of the International Journal for the Study of the Christian Church.

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